Des chausettes en garance, Krappsocken, medias en rubia, stocaí madar
Finally, a pair of socks. These were knitted to Kieron Pegg’s Toe up Twins on Ravelry. They’re a little big, but as they’re for winter wear at home, we can get away with a bit of Nora Batty. The yarn was Bendigo Mills Luxury 4-ply, dyed with the two madders – see previous post.
They’re my first magic-loop-two-at-a-time project, but I don’t know if I saved any time with this method. The 40″/100cm cable was perhaps a little too long and the needles didn’t have a no-twist function…
’Ελα ρε πάιδι μου! can you imagine someone knitting socks in the 1940’s reading this? When it comes to problem-solving, or “first-world” problems, I just think, “What would they have done in the Blitz?’ Not sat around crying about twisting cables, that’s for sure. So let’s just say I’m up for trying different needles until I find the right ones from the wonderful selection we have these days that suit me. More on that to follow…
Rubia tinctorum & Rubia cordifolia, Garance de teinturiers et garance ?, indische Krapp u.echte Färberröte , rubia ? y rubia rota, dhá mhadar
Now I really need help with the other languages! Anyone?
I decided to try both “regular” madder and also R. cordifolia (as the latter’s cheaper). I purchased some powdered samples of both varieties and tried them on commercial yarn, mordanted with 10% alum and also with some calcium carbonate added to turn the dyebath alkaline. I couldn’t be sure of this, as the pH paper didn’t change colour, but I added more than the 6g per 100g dyestuff to make sure.
The R. tinctorum is on the left and the cordifolia on the right. From bottom to top it goes thusly: 50% wof, 100% wof, exhaust bath. The cordifolia at full strength gave what I’d call “Indian red” after seeing this tone on so many throws and other items from the sub-continent; the colours in real life are a bit deeper. The top ball was thrown into two exhaust baths, as the dusky pink wasn’t so much to my liking.
With the tinctorum, the full strength gave me what I’d expected, or near enough.
All skeins needed a fair number of rinses to get the particles out of them (it went on the garden); their individual shade was probably twice as dark when coming out of the dyebath, due to the particles sticking to the fibre, but the rinse water was only coloured by the waste particles and no waste/unattached dye.
So, will I use madder again? Not unless I buy a larger quantity from overseas to make it economically viable. When hanging the skeins to dry, the following came to mind: “Avocado skins… avocado pits… Eucalyptus sideroxylon… Eucalyptus cineria…” However, a worthwhile experiment with usable results.