Tagetes minuta, aka Peruvian mint, huacatay, stinking Roger… and a noxious weed in many parts of the world. It does however have some interesting uses: seasoning, herbal tea, medicine, garden stake and dye.
I obtained a plant without knowing anything about it last year at an open garden. It grew to the prescribed metre high, flowered briefly, then disappeared in winter. This year several offspring appeared and grew exceptionally well – to over 6’2″ (they’re taller than me, and that’s when I stopped measuring). Fantastic! But what about the dye?
I had a couple of balls of wool from an op shop. They looked like handspun that had been previously used, then unravelled. The strands stuck to each other like a cross between a limpet and velcro and have several knots after washing, drying and re-skeining.
Left to right, 1) undyed, 2)unmordanted & dyed with 400% wof dried tops, 3 + 4) 50:50 alum-CoT to 15% wof, dyed with 200% fresh tops and 200% dried tops respectively. Once cool, they were washed with soap nuts; there was no noticeable colour loss. You can see that the yarn used to tie the skeins took on more colour.
The next skein was from a Finn x Romney x Corriedale fleece. I’ve always had trouble with this one, even with commercial dyes. So I added a few more fresh tops to the dyepot, then a few more. What the hell; they’re going to seed anyway.
Madre de oveja! I’ve yet to test for light-fastness, but this colour is intense, no other word for it. I noticed in this skein and the test ones above that the dyeing tends to be patchy, and think this may be due to the tip end of each lock, but can’t say for certain. Not that it detracts from the overall wow-factor. Will definitely be using the other three or four plants drying in the shed.
That is REALLY intense! It will no doubt pop in some weaving project of the future…
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Definitely, although I might try it on silk for a weaving project, or step sideways a notch and try it on tencel. I think the richness of the colour will match the shine of certain fibres perfectly.
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